the chosen and the beautiful book review

It was also my first time reading Vo’s work and I must say I am a fan. I knew I wanted to read this story, it was just a matter of when.

Publisher: Simon & Schuster, 272 pages, $27.99.I am late to the game on Nghi Vo’s The Chosen and the Beautiful. The Ugly History of Beautiful Things: Essays on Desire and Consumption

Natalia Holtzman is a freelance writer whose work has appeared in LitHub, the Los Angeles Review of Books, the Millions, and elsewhere. 'Once you realize how many things are iridescent,' she concludes, 'you can't unsee it.' Kelleher is at her best when she is unabashedly taking pleasure in the things she finds beautiful, whatever they might be, and even - especially - when they are also imbued with some form of ugliness or pain. In the end, this isn't a book about her loss of faith. If Kelleher's book is marred by anything, it is by a certain timidity in the construction of her own ideas, an occasional habit of introducing those ideas with the phrase 'I think.' 'I think there's a cultural tendency to blame women for their own suffering,' she writes at one point.Īnd while Kelleher doesn't always dig quite as deep as you might like - 'Religion brought me peace and comfort,' she writes, 'until it didn't,' before moving on - most of these moments, with their swiftly flowing currents, are more tangential to the focus of her book than crucial to it. There are lines as rhythmic and lyrical as poetry, as in this description, from the chapter on gemstones, of opalite as 'this pretty, milky thing with its orange glints and green winks.' Kelleher writes patiently, painstakingly, with a sense of unfurling not unlike the meticulous act of plucking petals, one by one, to discover what lies underneath. Much of the time, in fact, she simply revels in the beauty of her subject matter, a reveling that is frequently made manifest in her language ('the blazing crimson of a blueberry barren,' for example).

Not all of Kelleher's material is violent or dark. In the chapter on shells, she starts with Provincetown kitsch, moves on to the architecture of mollusks, and eventually describes the use of cowrie shells as payment for enslaved people in the 16th and 17th centuries. If anything, the book is a winding river of nearly associative thought, and the major pleasure in reading it is anticipating Kelleher's next turns.

The chosen and the beautiful book review